Tender offer
From Fancytwo
Over 10 years of experience
More than 10 years our production has been specialized in car shooting
Fancytwo production
During the period of our existence we have worked with such brands as: Jaguar Land Rover, BMW, Mercedes, Audi, Subaru, Renault, Nissan, Chery, Huyndai
Fancytwo production
Up to date we have won the trust of: Larny Lane, Eventum Premo, PRT Edelman, Louder, Spark44, Advanza etc.
Left
Right
PORTFOLIO
BACKSTAGE
LETTERS OF APPRECIATION
Jaguar Land Rover
ACEX
ПАО "Русская Аквакультура"
PRT Edelman
Group Renault
Фабрика Гранд
Газпром Экспо
BMW Driving Experience
Larny Lane
JCB
Sorry I'm not
Авиапарк
ТНК-BP
A FEW WORDS ABOUT US
The Room201 Film Company was created in 2010 and has become an exclusive video provider for Jaguar Land Rover. The Partnership goes on to this day. In 2019 we developed a new branch - graphic design studio. We rebranded and became Fancytwo C.G. During 10 years of work we realised more than 400 projects of varying complexity.
ADVANTAGES
1
Our own equipment park
In connection with the specifics of car shooting in ten years we have gained a huge park of different devices for creating unique frames.
2
The director's and cameramen team
For more than ten years we have formed several professional teams
In shooting cars tested many times in most difficult projects.
3
Experience
The huge experience working with worldwide brands and large state corporations.
4
Working capital
We are ready to cash gap and post-payment even with large amount of work.
5
Celebrities
The huge experience of cooperation with media people.
TENDER OFFER
WINTER MOVIES 2021
TEAM
CAMERAMAN (DOP) - ALEXANDER ANDERSON
Over than 9 years experience in shooting. He had worked with such brands as: JAGUAR LAND ROVER, PEPSICO, GAZPROM, RAIFEISSEN BANK, REMI MARTIN, AUDI, MERCEDES, BMW GROUP and more.
Photo by Jacob
Photo by Leio
Photo by Jacob
Photo by Marion
Photo by Jacob
Photo by Shifaaz
Photo by Mike
Photo by Jason
Photo by Sven
Photo by Ed
Photo by David
Photo by Hal
DOP PORTFOLIO
Learn more:
FILM DIRECTOR - ANDREY ZHIVAIKIN
Over than 10 years experience as a producer and 5 years as a film director. He had worked with such brands as: JAGUAR LAND ROVER, GAZPROM, AUDI, MERCEDES, BMW GROUP and more.
Photo by Marion
Photo by Leio
Photo by Jacob
Photo by Jacob
Photo by Mike
Photo by Shifaaz
Photo by Jacob
Photo by Jason
Photo by Sven
Photo by Ed
Photo by David
Photo by Hal
FILM DIRECTOR PORTFOLIO
FIRST MOVIE
WINTER HOLIDAYS. A TIME FOR AN ACTIVE RECREATION
Tiggo 8 Pro
DURATION – 60-90 sec
BRIEF DESCRIPTION
The arrival of Winter does not mean that you are now locked in four walls with gadgets. Especially if you have a Tiggo 8 Pro. Our video is about how easy it is to turn an ordinary evening into a real winter adventure.

Our main character is of course a child, but who else can open the eyes of adults?
The reel begins with the main character (a little boy) lying on the floor of his room and bored. His parents and brother are busy minding their own business without noticing the boy.

The hero is ready to put up with this development, until he pays attention to what's happening outside the window... Behind the window is real magic - it's snowing, the trees are wrapped in white blankets, and the TIGGO 8 Pro is in the yard, ready to immerse you in winter adventures.

Of course, the little boy chooses an adventure and heads for the car. And then the parents pay attention to what is happening (where did the son go?) and play along with the little hero, using the remote activation of the car through the key or the app.
For the little boy it looks like a real miracle when the huge car in front of him comes to life.

And then the mood of the video changes dramatically. And here our little hero with his parents and brother rushes along the winter road to meet adventures! Everything sparkles, there is a game of snowballs, slides and unbelievable car rides ahead.

With this video we show how a typical weekday can change, if your life is present TIGGO 8 Pro car and a hero, ready to take the first step to meet the adventures.
REFERENCES
MOOD AND STRUCTURE REFERENCE:
PART 1
Part 1 is the beginning of the story and the setting of the problem (the barrier) that our characters need to solve. In our case, the plot is built around the fact that the little hero is bored and sad because no one notices him. This part of the story will be filled with faded, gray colors and shadows that will emphasize the lack of positive emotions in the main character's life.
TRANSITION
The transition in the reference is a frame with the "Enter" button pressed. It symbolizes the hero's consent to change his life. In our case, starting up the car will be the trigger for the change. In our opinion, it is very symbolic. By starting the car, the hero "refuses" to sit at home, and chooses bright emotions and winter adventures behind the wheel of TIGGO 8 Pro.

This transition will be realized as follows. The father pays attention to some noise, looks out from behind the door and draws his attention to the open front door. At the same time, in the yard of the house, a little boy approaches the TIGGO 8 Pro, which is towering over him, and looks up at him expectantly. We then turn our attention from him to his father, who walks up to the window. The father smiles, points the key at the car... We zoom in on the keys and on pressing the "Start" button.

As in the reference, pushing the button will completely reverse the story. In the frame we see the boy's dazed eyes as the car "comes to life": the headlights come on, the tachometer arrow runs, etc. After that we move to the second part of our video.
PART 2
If the first part is the beginning of the story and the identification of the "problem. Then the second part is the solution. With the help of TIGGO 8 Pro car, the heroes overcome the barrier and break out of the home confinement. The colors of the video become saturated, the music is dynamic, and the lives of the characters are filled with positive emotions gained from various winter activities and the use of the TIGGO 8 Pro car.
These two lines will smoothly flow into each other, with the help of editing techniques (transitions from line to line on the continuation of the movement) and the plot (if the car rolls down the hill, then in the next frame the characters will also roll down).
Thus we will transfer the bright positive emotions of the heroes to the perception of the car, which in addition will confidently cope with winter roads.
In its essence, the reel is an instruction manual for the viewer: "Instead of sitting at home, get behind the wheel and go on an adventure".
DYNAMICS, INSTALLATION AND MOOD REFERENCE OF SECOND PART:
SCENARIO
1.The general plan.
In the frame is a country house with a veranda. TIGGO 8 Pro car is parked in the yard. It's snowing.
2. Interior. Children's room.
Sharp transition to a close-up of a felt-tip pen flying past the camera, which finishes the line on the paper. The focus shifts to the portrait of the hero, who is lying on the floor, finishing the drawing on the paper.
Middle plan from behind the boy's shoulder to the drawing.

The boy finishes moving the felt-tip pen and throws it away. A drawing of a car climbing a snow slide opens in front of us.
Show more
4. Overall shot.
The boy with the drawing in his hands jumps up from the floor and runs out of the frame.
5 Interior. Living Room.
From the back of the boy, who runs into the living room and stops at the door, raising his hand with a drawing. The living room opens before the viewer, with the boy's parents and brother.
6. Close-up on the boy's portrait.
The boy looks around the living room, raising his hand with the drawing, thus showing it to his parents and brother.
7. A series of dynamic shots. Frame 1.
Middle shot of the father walking toward the chair without taking his eyes off the tablet.
8. A series of dynamic shots. Frame 2.
Middle shot of mom walking by, who is stirring something into plates without taking her eyes off her phone.
9. A series of dynamic shots. Frame 3.

Close-up of his brother, who is lying on the couch, playing his laptop without looking up.
10
Portrait of a boy looking around the room. Sighs, lowers his eyes sadly, and walks out of the frame.
11. Middle plan on the floor
Сhildren's heels are removed from the frame and hidden, a sheet with a drawing is lowered into the frame in the foreground...
12. Middle plan on the father sitting in the chair.
The father is focused on the tablet. Suddenly there is a sound behind the scenes that catches the father's attention. The father raises his head in the direction of the sound.
13. The general plan from the corridor to the living room.
The father enters the frame, looking up from the drawing to somewhere behind the camera.
4. Overall shot.
The boy with the drawing in his hands jumps up from the floor and runs out of the frame.
5 Interior. Living Room.
From the back of the boy, who runs into the living room and stops at the door, raising his hand with a drawing. The living room opens before the viewer, with the boy's parents and brother.
6. Close-up on the boy's portrait.
The boy looks around the living room, raising his hand with the drawing, thus showing it to his parents and brother.
7. A series of dynamic shots. Frame 1.
Middle shot of the father walking toward the chair without taking his eyes off the tablet.
8. A series of dynamic shots. Frame 2.
Middle shot of mom walking by, who is stirring something into plates without taking her eyes off her phone.
9. A series of dynamic shots. Frame 3.

Close-up of his brother, who is lying on the couch, playing his laptop without looking up.
10
Portrait of a boy looking around the room. Sighs, lowers his eyes sadly, and walks out of the frame.
11. Middle plan on the floor
Сhildren's heels are removed from the frame and hidden, a sheet with a drawing is lowered into the frame in the foreground...
12. Middle plan on the father sitting in the chair.
The father is focused on the tablet. Suddenly there is a sound behind the scenes that catches the father's attention. The father raises his head in the direction of the sound.
13. The general plan from the corridor to the living room.
The father enters the frame, looking up from the drawing to somewhere behind the camera.
Show more
14. Father's POV.
A curtain is developing in the hallway. My gaze shifts from it to the open front door.
15. Exterior. Courtyard.
Portrait of a boy moving forward with the camera, with the front door open in the background.
16. Middle plan.
Middle plan from the boy's back to the car parked in the yard, which towers over the boy. The boy stops in front of the car, which is 3/4.
17. Portrait of a boy.
The boy looks up at the car. Focus from the boy moves to the window of the house, where the boy's father and mother approach.
18. Portrait.
Portrait of a father looking up at the camera and smiling (a warm, kind smile).
19. Close-up.
Close-up on the key and push button remote engine start / or smartphone screen and app.

Product function: remote start
20. A series of dynamic shots. Frame 1.
Close-up. The tachometer hand makes a turn.
21. A series of dynamic shots. Frame 2.
Close-up. The onboard computer flashes.
22. A series of dynamic shots. Frame 3.

Close-up. The headlight of the car lights up.
Product function: LED optics
23. A series of dynamic shots. Frame 4
Close-up of the boy's eyes, eyes widening in surprise, pupils enlarging.
14. Father's POV.
A curtain is developing in the hallway. My gaze shifts from it to the open front door.
15. Exterior. Courtyard.
Portrait of a boy moving forward with the camera, with the front door open in the background.
16. Middle plan.
Middle plan from the boy's back to the car parked in the yard, which towers over the boy. The boy stops in front of the car, which is 3/4.
17. Portrait of a boy.
The boy looks up at the car. Focus from the boy moves to the window of the house, where the boy's father and mother approach.
18. Portrait.
Portrait of a father looking up at the camera and smiling (a warm, kind smile).
19. Close-up.
Close-up on the key and push button remote engine start / or smartphone screen and app.

Product function: remote start
20. A series of dynamic shots. Frame 1.
Close-up. The tachometer hand makes a turn.
21. A series of dynamic shots. Frame 2.
Close-up. The onboard computer flashes.
22. A series of dynamic shots. Frame 3.

Close-up. The headlight of the car lights up.
Product function: LED optics
23. A series of dynamic shots. Frame 4
Close-up of the boy's eyes, eyes widening in surprise, pupils enlarging.
Show more
24. A series of dynamic shots. Frame 5.
A drop of water runs down the windshield.

Product function: Windshield Heater
25. A series of dynamic shots. Frame 6.
An abstract shot. In the frame in the blur moving lanterns or trees on the winter road.
26. Exterior. Winter country road.
Middle frame. A car flies out from behind a tree and moves along the road.
27. A series of shots of passages.
General plans / medium plans / close-ups
The car moves confidently on a winter asphalt road.
28.
The car goes around a long curve. A contented boy gazes rapturously at the scenery flying by outside the window.
29. A series of shots of driveways.
The car turns from a paved road to a snowy off-road.
We zoom in on the snow flying out from under the wheels...
30.
... The snow in the frame dissipates. Overall. In the frame in the foreground appears the shoulder and hand of his father, who launches a snowball forward. In the background, a boy runs away from the snowball toward the forest
31. Enlargement.
A snowball hits a tree, next to a boy running by, and is blown away.
32. Middle ground.
The boys run into the coniferous forest and run through the trees...
33. A series of shots of passages.
...The car pulls out of the woods and moves down a snowy slope in the general view. Zooming in on a detail that whizzes past the camera...
24. A series of dynamic shots. Frame 5.
A drop of water runs down the windshield.

Product function: Windshield Heater
25. A series of dynamic shots. Frame 6.
An abstract shot. In the frame in the blur moving lanterns or trees on the winter road.
26. Exterior. Winter country road.
Middle frame. A car flies out from behind a tree and moves along the road.
27. A series of shots of passages.
General plans / medium plans / close-ups
The car moves confidently on a winter asphalt road.
28.
The car goes around a long curve. A contented boy gazes rapturously at the scenery flying by outside the window.
29. A series of shots of driveways.
The car turns from a paved road to a snowy off-road.
We zoom in on the snow flying out from under the wheels...
30.
... The snow in the frame dissipates. Overall. In the frame in the foreground appears the shoulder and hand of his father, who launches a snowball forward. In the background, a boy runs away from the snowball toward the forest
31. Enlargement.
A snowball hits a tree, next to a boy running by, and is blown away.
32. Middle ground.
The boys run into the coniferous forest and run through the trees...
33. A series of shots of passages.
...The car pulls out of the woods and moves down a snowy slope in the general view. Zooming in on a detail that whizzes past the camera...
Show more
34. Overall plan.
...We're picking up on the happy boys flying down the slope on an ice skate.
35.Close-up.
The boys on the ice skate past the camera...
36. A series of shots of passages.
...The camera from the snow turns to the car, which is in a skid, stops abruptly on the road...
37. The middle plan.
The brother flies into the arms of his mother and he knocks her into the snow.
38. Close-up.

Close-up on a portrait of a happy Boy who catches the falling snow with his tongue.
39. Middle ground.
Father opens car door, children run in.
40. Close-up.
A child's hand presses the heated rear seats button

Product feature: Heated rear seats

41. Middle plan.
Children with their feet on the seats.
42. Close-up.
Close-up on the wheel of the car. The car starts with a spurt and is carried off into the distance.
43.
PACKSHOT
34. Overall plan.
...We're picking up on the happy boys flying down the slope on an ice skate.
35.Close-up.
The boys on the ice skate past the camera...
36. A series of shots of passages.
...The camera from the snow turns to the car, which is in a skid, stops abruptly on the road...
37. The middle plan.
The brother flies into the arms of his mother and he knocks her into the snow.
38. Close-up.

Close-up on a portrait of a happy Boy who catches the falling snow with his tongue.
39. Middle ground.
Father opens car door, children run in.
40. Close-up.
A child's hand presses the heated rear seats button

Product feature: Heated rear seats

41. Middle plan.
Children with their feet on the seats.
42. Close-up.
Close-up on the wheel of the car. The car starts with a spurt and is carried off into the distance.
43.
PACKSHOT
SECOND MOVIE
How alive are you?
Tiggo 7 Pro
DURATION – 60-90 sec
BRIEF DESCRIPTION
Winter is a special time for the owner of a TIGGO 7 Pro car ... If you are confident, stylish, active, then you will not spend your day at home. You set your alarm clock at 7:00 even on weekends so that in the morning you will be ready to get the most out of life.

Our story is a day in the life of a Tiggo7 Pro owner. A strong, active and self-confident man who is used to find a way out of any situation and strive for the maximum!

The story will start with winter scenery to set the right atmosphere. Then we are transported to the hero's bedroom. The hero opens his eyes before the alarm clock has time to ring. While still lying in bed, he starts the car, because while the car is warming up and a drop of water is running down the windshield, he can get ready and leave the house.

This part of the video, like any morning, begins at a smooth pace and gradually speeds up to the point where the car is blasting off.
You may ask, where is our hero in a hurry? To do as many interesting things in one day as possible! Because the most delicious coffee is in the hilly frost. And the most beautiful view is only at the morning dawn...

... And when you are open to the world, then the world is open to you! And of course, on the way, you will definitely meet a person close to you in spirit. And maybe true love!

The second part of the video will be a dynamic clip of different events that happen during the day with the hero: he drinks morning coffee from a thermos while standing by the car; he picks up his girlfriend in the city, and then they go off to meet adventures together; they stop unexpectedly and buy something in a store; go out of town and make a photo session with a picturesque view; catch fish in the river; admire the sunset and of course drive by car on absolutely different roads.

At the end of the day, the hero takes his girlfriend home and himself enjoys the starry sky while sitting on the hood of the car, after which he gets in the car and heads home. At home, the hero sets the alarm clock again for 7:00, after which he goes to bed and turns off the lights.

In this way we loop the story. After all, if you own a Tiggo7 Pro, every day you go to bed so that tomorrow morning you can get up before the alarm clock and go to meet the adventures the day has prepared for you.
REFERENCES
A BASIC MOOD AND STRUCTURE REFERENCE:
According to the brief, the owner of Tiggo 7Pro is a successful career and self-confident man. And in our opinion, this reference perfectly demonstrates the portraits of such a hero. The hero, who rushes forward and gets the most out of life. The whole main part of the video will correspond to this reference in its mood. Besides, in order to loop the story, to make the structure of the video a bit more complicated and to add some sense into it, we add a little introduction to the video.
INTRO TEMP AND MOOD REFERENCE:
To the introduction we refer the first shots of winter and the awakening of the hero before he starts interacting with the car directly. This part of the video will start at a smoother pace to set the atmosphere of winter and morning. In addition, this introduction will better accentuate for the viewer the idea that it is the Tiggo 7Pro that gives your life speed and drive.
AFTER INTRO
After all, as soon as the hero gets behind the wheel, everything around him immediately begins to speed up, and we get to the main pace of the video:
SCENARIO

1. Country House. Interior. Bedroom. Early morning (dark).
Middle plan from the smartphone, which lies on the nightstand, to the hero in bed. On the clock the time changes from 6:58 to 6:59.
2. Enlargement.
The hero abruptly opens his eyes. The sound of the alarm clock sounds behind the scenes.
3. Close-up.
The hero, still lying in bed, picks up the phone and lifts it above him

Product feature: remote start.

Show more
4. Exterior.
There is a car parked in the yard of the house. Overall plan. In the frame the car headlights or interior lighting (depending on the function) are lit.
5. Close-up.
On the windshield with a drop of water running down it.

Product function: Windshield heating
6. Interior. Home. Medium plan.
The hero looks out of the window, then out of the frame.
7. Close-up.
The hero picks up his backpack from the floor.
8. Through the open front door.
The hero comes out of the house, there is a car in the background.
9.
The hero gets into the car from inside the car. Hero gets into the car (final phase).
10. Close-up on the portrait of the hero.
The hero puts his hands on the steering wheel. Then lifts his sleepy gaze to the camera and smiles.
11. Close-up shot.
Hero uses his finger to start music through the onboard computer A dynamic track begins to play. Before this shot, the soundtrack is built on pure sound design.
12. Close-up on the wheel of the car.
The car starts abruptly and rushes forward, lifting the snow.
13. A series of shots with passages.
The car moves along the winter road.
4. Exterior.
There is a car parked in the yard of the house. Overall plan. In the frame the car headlights or interior lighting (depending on the function) are lit.
5. Close-up.
On the windshield with a drop of water running down it.

Product function: Windshield heating
6. Interior. Home. Medium plan.
The hero looks out of the window, then out of the frame.
7. Close-up.
The hero picks up his backpack from the floor.
8. Through the open front door.
The hero comes out of the house, there is a car in the background.
9.
The hero gets into the car from inside the car. Hero gets into the car (final phase).
10. Close-up on the portrait of the hero.
The hero puts his hands on the steering wheel. Then lifts his sleepy gaze to the camera and smiles.
11. Close-up shot.
Hero uses his finger to start music through the onboard computer A dynamic track begins to play. Before this shot, the soundtrack is built on pure sound design.
12. Close-up on the wheel of the car.
The car starts abruptly and rushes forward, lifting the snow.
13. A series of shots with passages.
The car moves along the winter road.
Show more
14. A series of shots with drives.
Emphasis on the portrait of the hero, who is smiling. In his eyes shines the morning, dawn sun.
15. The middle plan is in perspective of the road.
A woman's feet in neat boots enter the frame.
16. Medium plan.
The camera rises along the border of the body and comes out on the portrait of the girl. Then the focus from the girl shifts to the car, which moves in the general plan.
17. Middle plan from the girl's back to the road.
A car drives into the frame and stops abruptly.
18. Close-up of the inside of the car.
The girl closes the door.
19. Average plan.
Heroes in a friendly kiss.
20. A series of shots with passages.
The car leaves the city and pulls out onto a country road.
Emphasis is on the girl who turns on the heated seat button and sprawls out in her seat, throws her legs up on the torpedo and admires the scenery outside the window. Prod. feature: heated seats
21. Overview.
The car is standing on the side of the road before leaving the asphalt for the off-road section. The hero stands leaning on the car and takes a bite of an apple, a girl looks out of the car window and looks questioningly at the hero.
22. Close-up.
The hero is biting into an apple.
23. The middle plan.
The middle plan from the side of the girl who sits inside the car on the hero. Hero turns to the girl and winks.
14. A series of shots with drives.
Emphasis on the portrait of the hero, who is smiling. In his eyes shines the morning, dawn sun.
15. The middle plan is in perspective of the road.
A woman's feet in neat boots enter the frame.
16. Medium plan.
The camera rises along the border of the body and comes out on the portrait of the girl. Then the focus from the girl shifts to the car, which moves in the general plan.
17. Middle plan from the girl's back to the road.
A car drives into the frame and stops abruptly.
18. Close-up of the inside of the car.
The girl closes the door.
19. Average plan.
Heroes in a friendly kiss.
20. A series of shots with passages.
The car leaves the city and pulls out onto a country road.
Emphasis is on the girl who turns on the heated seat button and sprawls out in her seat, throws her legs up on the torpedo and admires the scenery outside the window.

Product feature: Heated front seats
21. Overview.
The car is standing on the side of the road before leaving the asphalt for the off-road section. The hero stands leaning on the car and takes a bite of an apple, a girl looks out of the car window and looks questioningly at the hero.
22. Close-up.
The hero is biting into an apple.
23. The middle plan.
The middle plan from the side of the girl who sits inside the car on the hero. Hero turns to the girl and winks.
Show more
24. Middle plan on the car.
In the foreground, an apple falls into the frame on the snow, after which the car starts up and disappears from the frame.
25. A series of drive-by shots.
The car is driving on a snowy off-road track.
26. General plan.
View location. The car in the frame stops at a lake or river.
27. A series of shots of the characters.
Middle shot. Hero walks away from the car, gesturing for the girl to follow him. Heroes walk through the woods. Heroes go up to the hills.
28. A series of shots of the heroes.
Heroes go out to a viewpoint. Heroes pulls out his camera and takes a few pictures. The girl poses. At one point the heroes start fooling around and fall in the snow.
29. Close-up on the portraits of the characters.
The faces of the heroes are very close to each other. The girl is pushed away and out of frame.
30. Close-up.
The camera is looking at the girl's back. The girl is heading towards the car. The silhouette of the hero appears in the frame in the foreground.
31. Middle shot.
The girl is walking towards the camera. In the back of the frame a silhouette of the hero. The girl smiles, and then begins to take off her jacket.
32. Close-up.
The girl's legs are going through the frame, after which the jacket falls on the snow.
33. Close-up on the portrait of the hero.
The hero shakes off the snow from his jacket, smiles, and exits the frame.
24. Middle plan on the car.
In the foreground, an apple falls into the frame on the snow, after which the car starts up and disappears from the frame.
25. A series of drive-by shots.
The car is driving on a snowy off-road track.
26. General plan.
View location. The car in the frame stops at a lake or river.
27. A series of shots of the characters.
Middle shot. Hero walks away from the car, gesturing for the girl to follow him. Heroes walk through the woods. Heroes go up to the hills.
28. A series of shots of the heroes.
Heroes go out to a viewpoint. Heroes pulls out his camera and takes a few pictures. The girl poses. At one point the heroes start fooling around and fall in the snow.
29. Close-up on the portraits of the characters.
The faces of the heroes are very close to each other. The girl is pushed away and out of frame.
30. Close-up.
The camera is looking at the girl's back. The girl is heading towards the car. The silhouette of the hero appears in the frame in the foreground.
31. Middle shot.
The girl is walking towards the camera. In the back of the frame a silhouette of the hero. The girl smiles, and then begins to take off her jacket.
32. Close-up.
The girl's legs are going through the frame, after which the jacket falls on the snow.
33. Close-up on the portrait of the hero.
The hero shakes off the snow from his jacket, smiles, and exits the frame.
Show more
34. Middle plan.
From the side of the back seats. A girl is approaching the hero, but freezes a few centimeters away. The music cuts off.
35. A series of dynamic shots. Frame 1.
Close-up. A woman's hand twists the climate control to a plus temperature.

Product feature: control unit, climate control.
36. A series of dynamic shots. Frame 2.
Close-up. A woman's foot in a neat sock touches the deflector.

Product function: climate control
37. A series of dynamic shots. Frame 3.
Close-up. A drop runs down the fogged glass.
38. Close-up.

The car stands on the shore of the lake, then abruptly starts up
39. A series of shots with drive-throughs.
The car moves on a snowy off-road track.
Pulls out on the asphalt.
A shot of a portrait of the hero who is dovetailing into a girl.
The girl is asleep, leaning her forehead against the glass. The car pulls into town.
40. Close-up.
Heroes kiss on the cheek sitting in the car.
41. Middle plan from the girl's back.
The girl is standing by the road and waving her hand in the direction of the receding car.
42. Middle plan.
From inside the car to the girl. The girl is quickly moving away.
43. Middle plan on the hero.
The hero turns to the camera and winks at the viewer.
44. Overall plan.
The car is drifting off into the night.
45.
Packshot
46. Pay-Off.
Interior of a country house. Middle ground. The hero lies in bed and holds his phone above him.
47.
Close-up of the phone. The finger triggers the alarm for 7:00.
34. Middle plan.
From the side of the back seats. A girl is approaching the hero, but freezes a few centimeters away. The music cuts off.
35. A series of dynamic shots. Frame 1.
Close-up. A woman's hand twists the climate control to a plus temperature.

Product feature: control unit, climate control.
36. A series of dynamic shots. Frame 2.
Close-up. A woman's foot in a neat sock touches the deflector.

Product function: climate control
37. A series of dynamic shots. Frame 3.
Close-up. A drop runs down the fogged glass.
38. Close-up.

The car stands on the shore of the lake, then abruptly starts up
39. A series of shots with drive-throughs.
The car moves on a snowy off-road track.
Pulls out on the asphalt.
A shot of a portrait of the hero who is dovetailing into a girl.
The girl is asleep, leaning her forehead against the glass. The car pulls into town.
40. Close-up.
Heroes kiss on the cheek sitting in the car.
41. Middle plan from the girl's back.
The girl is standing by the road and waving her hand in the direction of the receding car.
42. Middle plan.
From inside the car to the girl. The girl is quickly moving away.
43. Middle plan on the hero.
The hero turns to the camera and winks at the viewer.
44. Overall plan.
The car is drifting off into the night.
45.
Packshot
46. Pay-Off.
Interior of a country house. Middle ground. The hero lies in bed and holds his phone above him.
47.
Close-up of the phone. The finger triggers the alarm for 7:00.
ADDITION TO SCRIPTS
LOCATION: ALTAI / EKATERINBURG
First of all, we would like to note that we suggest Altai as the main location for shooting. This is one of the most beautiful and photogenic regions of our country.

Altai is not very convenient region in terms of logistics and technical base (due to its complete absence), but these disadvantages will be compensated with the excellent views. In addition, Altai is very diverse; there are locations that are covered with snow in October, it means that we will certainly have winter locations!

We suggest as the second option is Ekaterinburg (sverdlovskaya oblast). This region is less picturesque than Altai, but advantage of this area is technique base (lighting equipment, professional crew etc).
GENERAL VISION OF SHOOTING
The videos will have to be filmed in an expedition conditions, and given the budget constraints, it means that we will be very restricted in some aspects. We'll have to shoot with a reduced film crew, with a minimum set of lighting equipment, being constantly on the move.

However, I want to note that the main crew has a huge experience of such expeditionary filming, which allows us to properly allocate resources!
CAMERA and OPERATING EQUIPMENT
The optimal solution for our shooting is using a camera: Black Magic 6k.

This camera provides high definition and depth of field images. In addition, it is characterized by a low noise level when working on black backgrounds and contrasting parts of the car body.

Optics solution: Carl Zeiss Distagon and Angenieux EZ zoom optics. This kit will provide excellent sharpness, color depth and interesting highlights from lighting fixtures.

As additional camera equipment for filming car passages, we plan to use: a drone, a special gimbal with a stabilization system for filming passages from a second car, and an autogrip.
PICTURE QUALITY REFERENCE
VISUAL SOLUTIONS - DETAILS
We want to diversify both videos and most importantly the driveways with shots with large details: snow flying out from under the wheels, Chery logo in the snow, water drops on the windshield.

In addition to create dynamics for separate frames, I plan to highlight some objects and emotions with enlargements.

For example, if a girl walks through a snowy forest, we will immediately give enlargements to her flying hair by the wind.
VISUAL SOLUTIONS - LANDSCAPES
If Altai is approved as a region for filming, we will be able to take advantage of its incredible beauty. But Yekaterinburg is also surrounded by beautiful views!
VISUAL SOLUTIONS - ARTISTIC SOLUTIONS
Winter with good weather is a fairy tale. What is happening with our heroes in the commercials can also be called a fairy tale. In some frames, we want to enhance this effect with the help of a lens that focuses only in a certain part of the frame, taking the rest of it out of focus.
TIMING. NOVEMBER 2021
BUDGET
DEAR CHERY TEAM
Well, CHERY is growing rapidly. It's a good time to take market share away from your competitors. And let us help you in part of marketing activities. We would like to invest our labor if it possible to say like that. Let us make a great movie!

Thank you for the attention
!
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